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This page features select performance & practice video clips catered toward the display of artistic aesthetic. For more video examples of Jonathan's playing and/or musical direction within specific ensemble types (jazz trio, pop group, experimental music, etc.), head over to Shoppe PERFORMANCE SERVICES.

Out of the 30,000+ hours Jonathan has devoted to music-related study, practice, writing and playing, close to 10,000 of those hours have been spent listening to and transcribing musical vocabulary. Investigation into what makes the sounds of different musicians and composers unique from one another, through score study, transcription, and extended listening has taught and continues to teach him about how he hears music, and how others do as well. Transcriptions/the transcription process can be shared and expressed through performance and/or sheet music distribution, both of which Jonathan specialize in. 

He has written 4 analytic essays featuring jazz-solo transcription and has transcribed over 20 full jazz solos by artists such as Freddie Hubbard, Clifford Brown, Donald Byrd, Booker Little, Wayne Shorter, Chet Baker, Kenny Dorham, Joe Henderson, Blue Mitchell, Lee Morgan, Miles Davis, Wallace Roney, Eric Alexander, Wynton Marsalis, Jim Snidero, and John Coltrane. Several of them are available for free download at Shoppe TRANSCRIPTIONS. Check that page often, as new solo transcriptions are constantly being added!


Below are some of Jonathan's large-scale, small-scale and in-progress transcription projects:

John Coltrane’s Solo on “One Down One Up” Live at the Half Note: A Brief
Reflection on Process and Study of Content in Extended Solo Transcription
Analysis of Clifford Brown's solo on "Hot House" from Live at the Bee Hive
A Selective Analysis of "Prelude no. 3" from Book 1 of J.S. Bach’s Well Tempered Clavier
Kurt Rosenwinkel’s “Cubism” & It’s Post-Bop Ascetic

 Jazz Solo: Guitar

 Jazz Solo: Piano

 Jazz Solo: Trumpet

 Jazz Solo: Saxophone

 Jazz Solo: Trumpet

 Jazz Solo: Trumpet (+Orchestration)

Remember, the following final products are available to you at your request:

-professional-grade tablature including concert/transposed score/parts

-audio/video recording of transcription


Ensemble configurations start from 1 musician and continue up from there.


Most western classical instruments are readily available to be written for. If you are interested in including an instrument from another part of the world, discuss/describe what you have in mind, and chances are it's possible.

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